11" x 13"
(image size: 8.25" x 11")
$55.00

ABOUT THE PRINTS
Quality, archival limited-edition fine art prints on heavyweight, bright white, matte fine art paper with a luxuriously smooth surface that is able to produce extremely crisp and accurate detail and has received 100+ year archival certification from the Fine Art Trade Guild. Edition number, title, and artist signature are hand-written by the artist below the image in the white border.

EDITION DETAILS
"Limited-edition" means that there is a finite quantity of prints available. Small prints are in editions of 200. Once all of the prints are sold, the edition is closed. Your prints will be numbered in this format: 023/200 would indicate that it is the twenty-third print in an edition of two hundred. As the quantity of available works in an edition decreases, the price increases incrementally based on the percentage remaining in the print run.

CERTIFICATE OF AUTHENTICITY
Each piece you purchase will come with a certificate of authenticity, a signed document proving the authenticity of the work and containing details about the artwork for your reference.

SHIPPING
Prints are shipped by Carmel Fine Art Printing & Reproduction in Carmel, California. Small and medium prints are shipped flat with glassline liners. Large prints are gently rolled with glassline into large diameter tubes/boxes.

Like many gay men who grew up in the 80's, I had a big crush on Kirk Cameron (a.k.a. Mike Seaver on the sitcom "Growing Pains"). So now that he has grown into a self-righteous bigot, proclaiming that homosexuality is "detrimental and ultimately destructive," I feel betrayed. And if the Jesus he so frequently speaks on behalf of is perched on a cloud listening to the wayfaring former-sitcom star's remarks, I can only imagine that he might want to put him over his knee and teach him a lesson. Perhaps it's just a phase for Kirk - nothing that a few growing pains to the backside can't help him overcome.

©2012 Paul Richmond

CHEESECAKE BOYS series
The Cheesecake Boys series grew out of my fascination with pin-up art from the 40’s and 50’s. It was a more innocent time (at least on the surface), and I love the elaborate scenarios that artists like Gil Elvgren and Art Frahm concocted in order to justify disrobing their subjects. A loose nail, a doorknob, or a brisk wind would all work in a pinch, resulting in hapless models accidentally exposing their unmentionables. I’m interested in exploring how gender roles were reinforced by these artistic expressions of sexuality. It intrigues me that it was considered sexy for a woman’s skirt to be ripped off before a crowd of oglers, while the male pin-up was only exposed when he wanted to be. Times certainly have changed! Men may have had a free pass on wardrobe malfunctions in the good old days, but my Cheesecake Boys are here to even the score.